A
pause for reflection
“I’m pregnant.” Brie
Baker made the statement so matter-of-factly if seemed to require no additional
information. Since Alan and Katherine knew nothing of Brie Baker’s personal
life it just seemed natural that an attractive woman over 35 would find herself
with child. Brie wanted to explain in advance why she might need to excuse
herself and why she would abstain from a glass of wine. Katherine served as
docent at the 45,000 s.f. Martin Z. Margulies Warehouse contemporary art
collection.
Although initiated by
Daniel Bluestone, it was Alan Edgewater who managed to get a meeting with Brie
Baker and Katherine Hinds though the three of them had only met briefly. Brie
and Alan met at the second of three Bluestone Cleveland gatherings at the
Carlyle. He only caught part of the banter between the coach and the curator
about the Ashcan school and artist George Bellows, the would-be baseball player
turned painter from Ohio. Alan and Brie were both invited to private showings
of the Victoria Valentine Art Collection at Rachel Davis Fine Arts. Coach Siena
was guest of Bluestone using the second bedroom in the condominium for which
Abbeshire & Bluestone would bill the Alan Edgewater Failure First
Scholarship Fund (AEFFSF). Alan Edgewater stayed at a hotel near the airport
that evening and caught a flight into St. Louis the next day. Upon his return
to the Cleveland, however, later that month Alan was invited to occupy the
second bedroom dubbed the Coach Robert Siena Suite at the Carlyle. That evening
he met Katherine Hinds. It was at that third gathering at the Carlyle.
Katherine appeared almost unexpectedly with her gallery owner girlfriend. She
and her friend, earlier that day, had also perused the Victoria Valentine
collection at Rachel Davis Fine Arts. They had seen Victoria Valentine pieces
by Donald Judd, Sol LeWitt, Andy Warhol, Keith Herring and more. By the time
they got to the party they were not at all interested in talking about art.
Instead a glass of wine and a view of the moon lit Lake Erie was just what the
doctor ordered.
Alan recalled his visits to Cleveland and the Carlyle in the Coach Robert Siena Suite with some sadness. The coach was a cliché in so many ways. But he was also so genuine even as he extolled the virtues of teamwork and dedication. The coach was an eternal optimist with faith in his players certainly but, more broadly, in human nature. He had been so full of life and now he was gone. Alan was filling in for the coach. The coach was hoping the AEFFSF would be able to leverage the art collection in some way. Alan was not entirely clear about the coach’s thought process but he already knew more about contemporary and modern art than Coach Siena could ever have hoped to know.
Jan Abbeshire continued
to explore how Abbeshire & Bluestone might make news in the world of
contemporary art. Her research led to Art Basel and the reputation and the
Martin Z Margulies collection. Jan thought the Victoria Valentine collection
needed the kind of press Margulies attracted. Jan noted that no-one currently
served as spokesperson for the Victoria Valentine Collection like owner Marty Margulies
and curator of a dozen years Katherine Hinds for the Martine Z Margulies
Foundation.
Jan encouraged Alan to
see if the curators could help identify appropriate hooks for fine art
collector magazines and media. Jan imagined the Allen Memorial Art Museum at
Oberlin College needed hooks to get media attention as well. Had Alan invited
Jan to Miami for this meeting of the minds, she would have joined them in a
heartbeat. Jan, with three daughters at home could not take such a trip at the
drop of a hat however.
Alan, Brie and
Katherine were together in Miami and enjoying dinner at Chart House in Coconut
Grove where, ironically, they could not sit outside. The weather was wet and
windy. Alan kept it to himself that the evening at the Carlyle overlooking Lake
Erie was actually more comfortable than the dinner in Miami indoors, under the
breeze generated by the air conditioning through ceiling vents that seems aimed
at him. The dinner was one that generated some lively conversation. Katherine
had been an outstanding host and docent for the Warehouse tour of Margulies
Foundation collection Brie and Alan. Alan was still a little fixated on the
concept of negative space but also wondering how he let Bluestone convince him
to take this meeting in the first place. He was not a collector. He was not a
buyer. He was a neophyte at best in the art world. All that said, he loved the
way the art world, even at its most bizarre moments, brought people together.
Bluestone hatched the plan for a meeting but, as was his way, over scheduled
himself and left Alan with the job of finessing these educated purveyors of art.
Brie excused herself
from the table after just a few bites of her seafood pasta. She returned with
apology. “This is the first time I have
been pregnant,” she declared. Here Alan skillfully asked about the father. “Is
dad involved in this?” he asked. Katherine was supportive with a quick
additional “ Relax, having babies is just something we do. Just take things in
stride. ” Katherine continued with “Doctor Baker, I think we ought to plan an
exhibition that will travel from Oberlin, Cincinnati, St. Louis and maybe a
couple of other cities. As co-curators I think we can really orchestrate a
win-win-win for Oberlin, Margulies and Contemporary Art.
So Alan lost control of
the conversation early in the meeting. It wasn’t until deserts arrived that
Brie confided, while enjoying her vanilla ice cream, that she had every
intention of being a wonderful single mother. She declared openly that there
was no urgency in involving the father in the responsibilities of being a
parent. With that, the father’s identity remained a mystery to Alan and of no
consequence to Katherine. In the morning, Brie and Alan would ride together in
a hotel airport shuttle from the Mutiny Hotel in Coconut Grove, going their
separate ways as they traveled to their respective gates and flights to
Cleveland and St. Louis.
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